L>We Five"s "You to be on mine Mind", Ode to a Sometimes-Maligned Song, by Charles H. Smith

we Five"s "You were on mine Mind": Ode come a Sometimes-Maligned track by Charles H. Smith, west Kentucky university In the autumn of 1965 the California pop/folk team We 5 had a significant national hit once they released your adaptation that the Sylvia Fricker- (of Ian and Sylvia fame) penned tune "You to be on mine Mind." The single crashed the top 5 just around everywhere, reaching number one in some markets and even regulating top-ten-for-the-year ranking in a couple of places (for instance on the terminal I listened to as a teenager, WDRC in Hartford, Connecticut, where it finished up in ~ number nine because that 1965, and on Billboard, wherein it uncovered its way to number four). A little over a year later, an obviously us Five-influenced cover of the track by Crispian St. Peters did just also in Britain, proving that its success here was no fluke. We 5 had relatively little success other than v this one release, though their tiny body the work has some pleasant duration explorations within the general world of folk, pop, and Broadway. Your lead singer, Beverly Bivens, possessed one of the loveliest voices of the era, yet she retirement from advertisement music-making simply a year later, and the tape was forever doomed come "one-hit-wonder" status. There has actually been a growing tendency over the year for miscellaneous sources to try to more marginalize your already small place in music background by complaining that their adaptation that Fricker"s track cheapened it. Indeed, the team did take it a lot of liberties v Fricker"s initial composition, an altering words here and there, substituting all sorts that chords, and also generally transforming it into a new product. Some have actually castigated the group, for example, for leaving out a section in the second verse whereby Fricker"s original protagonist it s okay drunk and sick before coming home: the is, because that "cleaning it up" so regarding be "more appropriate" for a massive market. I totally disagree with this appraisal. When Fricker"s initial version functions perfectly fine in its country/folk setting as a simple story the a failure relationship, us Five"s manipulation the its beginning point elevated the product to a wholly brand-new level. Prior to trying to protect this assertion, let"s take it look in ~ the lyrics to the song as frequently given on the internet (these space not precisely Fricker"s original lyrics, however instead a hybrid of several online attempts to reproduce the group"s version), and compare them with what ns heard native a yes, really close listening to the actual power recently, indigenous the CD repertoire Two standard Albums from us Five. My punctuation in the latter rendition originates from both what ns hear gift sung, and also what seems to do grammatical sense, in context: common printing of text on the internet purporting to it is in what We five sings: as soon as I woke up this morning You to be on my mind and also you to be on mine mind I got troubles, whoa-oh I got worries, whoa-oh I got wounds to tie So I visited the corner Just to ease my pains Yeah, just to ease my ache I gained troubles, whoa-oh I gained worries, whoa-oh i came home again as soon as I woke up this morning You to be on my mi-i-i-ind and also You were on my mind I gained troubles, whoa-oh I acquired worries, whoa-oh I gained wounds come bind and I acquired a feelin" down in mine sho-oo-oo-oo-oes, said method down in my sho-oo-oes Yeah, I obtained to ramble, whoa-oh I obtained to relocate on, whoa-oh I gained to walk away my blues as soon as I wake up up this morning You were on my mind You were on my mind I gained troubles, whoa-oh I obtained worries, whoa-ohI gained wounds to bind What We 5 actually sings: once I wake up up this morning You were on mine mind, And... You to be on mine mind. I"ve gained troubles, woe, five woe, I acquired worries, woe, oh woe, I got wounds come bind. For this reason I visited the edge Just to lull my pai-ai-ai-ai-ain-- (I said,) simply to ease my pain. I acquired troubled (woe, five woe), I gained worried (woe, five woe), i came residence again. Yet I wake up up this morning and you were on mine mi-i-i-ind, Then... You to be on my mind! Well, I acquired troubles, woe, five woe, I got worries, woe, oh woe, I gained wounds come bi-ind! Hey, and also I"ve acquired a feelin" under in my sho-oo-oo-oo-oes-- < --------- ? > way down in mine sho-oo-oes-- That ns gotta ramble, woe, five woe, ns gotta relocate on, woe, oh woe, i gotta walk far my blu-ues! when I woke up this morning You to be on my mi-i-i-i-ind, Then... You to be on my mind... Hey! I got troubles, woe, oh woe oh, I got WOR-ries, woe, five woe oh, I got wounds to bi-i-i-ind! The differences individually might not at an initial seem so really substantial, yet cumulatively they end up providing We Five"s variation a looming strength Fricker"s original never ever had. Recall very first that the "cleaned up" variation leaves out the line around getting drunk and also sick. In therefore doing, a little bit of vagueness is injected into the lyrics that leaves the listener can not to conclude just what or who really IS ~ above the protagonist"s mind. In various other words, the song quickly switches from "girl loser boy" fare to portraying something that is potentially a an excellent deal more ominous. The load of this dramatic maker is accented through the often maligned repeating, through slight variations, of the 2nd line in the first, third, and also fifth verses. In us Five"s variation as ns hear it, over there is one actual pause in the singing after the first word the the 3rd line in verses one, three, and also five (one "and" and two "then"s"), a machine one supposes is supplied to imply not only that "you to be on mine mind" yet that try as the (or she, that course) may, the protagonist cannot acquire past this barrier to his concentration--that is, that on waking up this is not just the very first thought, yet the only feasible thought. He climate goes "to the corner" for some relief, but by (perhaps together we may believe) the following day"s morning, has actually still to be unable come escape his torment. The remainder of the song, performed through ever-increasing intensity, ends up with nothing short of a scream, a cry for help. Currently maybe friend think I"m being melodramatic here, however just why execute you suppose the protagonist end up taking a walk come the corner? In Fricker"s version, we recognize well enough: to gain blasted to forget around Mr. Ex-boy-toy. In the We 5 version, no one of this is constructed in, and we start to build our own, often troubling scenarios... Maybe we room dealing below with a heroin addict, and the "you" in the track is his habit--it seems obvious enough what a "trip to the corner" might mean in this instance, and also how in the end the results of the trip can not do much toward relieving the problem. Or perhaps the protagonist is a shell-shocked military veteran, currently cowering in a barren apartment, unable to shower the storage of seeing his closest girlfriend blown come shreds ten feet far from him during the critical war: a drink v some buddies at the corner pub won"t finish up making even a dent in that sort of pain... Or possibly he/she is a now-in-tatters fifteen year old runaway living on the street, thinking of mom yet still unable to deal with the storage of his/her sex-offending father... Or a stop housewife... Or a yes, really soured casualty of a love partnership gone bad... Unfortunately, there space a the majority of "you"s" in the human being whose lives could be inundated by together pain and also hurt, and also we obtain to take it our pick. And every one of this sung through a squeaky-clean-looking bunch of university youngsters from southern California--as if to remind united state that in the unstable years the the late twentieth century, it has actually not just been the dregs of culture who have been banished to such fates. The music arrangement and also exact words as sung by We five cleverly contribute to the drama. The crucial lead-in ~ above drums and also bass is right an uneasy shuffle, maybe designed to mimic a disturbed, hypnogogic dream state. Yet then the final note, punctuated top top guitar, intervenes, and also the protagonist is crude awakened. The description of events starts in the previous tense, however then the confessional easily switches into current tense: "I gained troubles, woe, five woe"... Ns don"t understand where the "whoa-oh" come from in most transcriptions of their reading of the song, but they space actually singing "woe, five woe," as clearly can be heard, and also besides, this wording better suits both the immediate setup and a recommendation to the old lament "woe oh woe is me." In the second verse the an easy theme of the attempt to to escape the ache of the instance is introduced via the "went come the corner" device. In many transcriptions one watch the many word "pains" finishing the 2nd and 3rd lines, however We five actually sing "pain," which rises emotional focus. Further, in the fourth and also fifth lines the words "troubles" and also "worries" are not repetitive from the first verse; rather the previous tense "troubled" and "worried" is employed, providing a real reason for the next, rather merely stated, line: "I came residence again." The 3rd verse much more or less repeats the first, yet the pace has actually picked up and by currently we realize that this is a person with genuine troubles. The fourth provides a bit of relief native the intensifying pace v more an essential changes and also a sirloin of words that almost seem to be tossing around a systems to the whole mess: gaining away and also getting on through his/her life. But this is a hole suggestion, and also the protagonist knows it, the an outcome being a final verse which simply recapitulates the sluggish statement that the problem, and also a last buildup come a cry because that help. yet the finish is not the end. After ~ the to sing stops, over there is a exceptional five-beat instrumental coda i m sorry concludes the song. Interestingly, it has no evident relation to the remainder of the piece, yet admirably completes that is mission by perfectly discharging its remaining rhythmic and emotional momentum. Past that, however, the does so in a means closely mimicking the sort of pounding heartbeat and excited, heaving, breathing the such a revelation of feeling would develop in a "real world" setting. Yes, really brilliant! The effectiveness of this machine may have been evaluate by later on musicians--note the structure similarity the the last five-beat dot in The Who"s "Won"t obtain Fooled Again" (which strips the result "down," eliminating the physiological aspect in donate of, appropriately, a strict dramatic one). This is really heady stuff, especially for 1965. Ns can"t help but wonder exactly how We Five involved this certain interpretation the the song, as there is naught in the rest of their oeuvre i beg your pardon in any method approaches it. The Crispian St. Peters variation is a bit darker and also sung nicely, yet the atmosphere is torpedoed by the crucial arrangement, which attributes a saxophone at just the dorn time.


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I have also often wondered exactly how We 5 performed the song live--at least, when they were no committed to part context that dubbed for television cameras and having come fit in through a horde the silly, jiggling, Hullabaloo-style dancers. A pair of duration performances that the latter range have been put up online on Youtube.com; sigh, posterity deserve to sometimes it is in so cruel!

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