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Every screenwriting publication I’ve read, class I took, andbasically the an initial rule ns learned says:

ONE page OF A appropriately FORMATED script = APPROX. A MINUTE OF screen TIME.

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I know one page of speak a battle can last 5 minutes whereas one web page of quickdialogue my last ten seconds if the actors talk fast… therefore my concern is,is this preeminence true?

Has your 120 page script to be a 2 hour movie or was it much more like 90 minutes?

My key reason for asking this is I desire to make my very own low-budget movie.And the ideal tips I gain say keep the script 90 pages or shorter. And also tomake the a beat (dialogue heavy, one location).

However, native my brief film experience and being one editor, I witnessed a 90 pagescript that a girlfriend be only 55 minutes once edited. And also I recognize KevinSmith’s CLERKS to be 164 web page script, but is only a 90 min movie due to the fact that ofthe dialogue.

So, how deserve to I find specific length of the movie before I shoot it. Orshould I have a 130-page script if I desire to do my very own feature? exactly how do thebig boys number out if there’s sufficient actual screen time top top the pages?

— Matthew KaplanNew York City

Your instinct is right: the one-page-per-minute ascendancy of ignorance doesn’t organize up to much scrutiny. True, many screenplays are around 120 pages, and true, most movies are approximately two hours. But the conversion price between file and celluloid is seldom one-to-one .

That’s why when a movie is in pre-production, one of the manuscript supervisor’s very first jobs is come time the script. She or he reads with the screenplay with a stopwatch, estimating exactly how long every scene will certainly play, then adds up the total running time. Generally, lock go with the whole script twice, averaging the times.

How specific is the script timing? Well, that counts on just how well the manuscript supervisor has factored in the director’s style. Ang Lee’s Brokeback hill featured long, contemplative shots of the heroes herding sheep, which one more director can have reduce altogether. But generally, the script timing is in the best ballpark.

Although a manuscript supervisor has an ext experience, you deserve to time a script yourself. Mine advice would certainly be to read the dialogue aloud, while trying come pad because that non-spoken moments. It’s easier with some scripts than others.

As far as my very own films:

Go was 126 pages, yet came out at 103 minute — there is no any major scenes left out. It wasn’t play-like, however the pacing was quick.

Big Fish was 124 pages, and also 125 minutes long. To mine recollection, only one far-reaching scene was omitted, for this reason the page-per-minute dominance came close.

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Both Charlie’s Angels movie went with so many drafts during production that precise page-count is impossible. Yet the an initial drafts were roughly 120 pages. The initial film was 98 minutes; the sequel was 106. The pacing was obviously quick.