According to part critics, the door to contemporary art was opened by A. Caravaggio. B. Frans Hals. C. Eugène Boudin. D. Diego Velasquez
According to some critics, the door to contemporary art was opened by A. Caravaggio. B. Frans Hals. C. Eugène Boudin. D. Diego Velasquez
What did cutting board Gainsborough and Gilbert Stuart have in common? A. They both studied arts in Scotland in 1757–1760. B. They to be Englishmen who operated mainly in France. C. They each painted numerous portraits the George Washington. D. They were renowned for their portraits
beer-selection.com: thomas Gainsborough and also Gilbert Stuart had actually in common that they were renowned for their portraits. (More)
Regarding Frans Hals" painting, Young guy with a Skull, which statement is true? A. Its coldness and also lack of shade reflect Hals" despondence. B. Hals used the repaint to be together smooth as the skin of an onion. C. It"s an example of a vanitas piece. D. It to be painted in the manner of the northern Renaissance
It"s an example of a vanitas piece. -is a true statement regarding Frans Hals" painting, Young guy with a Skull.

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Which of the adhering to is the correct chronological stimulate of arts periods? A. Renaissance, rococo, baroque, romanticism B. Baroque, mannerism, neoclassicism, romanticism C. Neoclassicism, baroque, mannerism, Pre-Raphaelite D. Mannerism, baroque, rococo, neoclassicism
The second period of the college of Fontainebleau to be a maintain ground for A. Mannerist artists. B. Student of Hieronymus Bosch. C. Sculptors functioning in the neoclassical style. D. Students of Leonardo da Vinci
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The second duration of the college of Fontainebleau was a training floor for: mannerist artists. (More)
Which the the adhering to was one of the vital principles endorsed by the Pre-Raphaelite Brotherhood? A. The communication of all art is the imagination. B. Art should embrace progressive politics ideals. C. Art calls for rote finding out of tradition and also formulas. D. The substance of great art need to be spiritual
"The problem of great art must be spiritual" was among the crucial principles endorsed through the Pre-Raphaelite Brotherhood.
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